I can’t think of a place I’d rather be…

Whenever I go to London, I try and see Sunny Afternoon more than once – not just because it’s my most favourite show but also because I know that they’ll never let me down and I’ll enjoy my time spent watching them again and again. The most fun is to try and see all eight shows in one week, it’s live theatre so it’s bound to be different every time and it’s a fab experience. I did this with the original cast during their final week, and although I really enjoyed it I couldn’t help thinking I was doing it for a slightly sad reason. This time, I decided to try and do it a bit earlier, so when something work-related came up I grabbed the chance and put other theatre plans and wishes aside and set on seeing all eight performances of what was looking to be a great week.

With Ryan being on holiday, I was finally in for a chance to see Robbie White as Ray. He’s played all four Kinks now and he’s definitely one of the best things that’s happened to Sunny Afternoon so far. I’d seen Robbie as Dave and Pete but seeing him as Ray was one of my dreams. Monday marked his first performance of the week and I’m so glad we were there. Monday audiences are usually quiet so I’m guessing it’s nice for the cast to see some friendly faces. To say I wasn’t disappointed with Robbie’s Ray would be an understatement. He’s vulnerable and endearing and I caught myself tearing up in a couple of scenes that had never had that effect on me, and This Time Tomorrow before Set Me Free and Too Much on My Mind were particularly affecting. I’ve said this many times: Sunny understudies are the best and most hard-working in the West End. Being part of a small company for a musical means most of them have to cover more than one big role, having to learn the show several times. Robbie was on for Mick for a few shows less than a month ago, then he had four shows as Dave, and his next show meant him being on for Ray – those are huge, very different and demanding parts to play, so it’s a real testament to Robbie’s talent and energy that he manages to do and actually enjoy it a lot. He was on for Ray on Wednesday night as well, and that was on the of best performances I have ever seen from anyone, I’m now completely in love with Robbie’s voice and the list of things I want to get recorded by this cast grows with every show.

Another cast holiday meant I got to watch Lloyd Gorman as Piven/tailor all week. Like many others, he’s covering a number of roles and every time it’s so much fun, I remember gasping for air from laughter a few months ago when he was on for Larry Page. I’m looking forward to catching him as Eddie Kassner one day because it means he gets to do some drumming as well and I’m always curious about various talents of the Sunny folk. Since we know the show backwards after seeing it a lot of times, it’s great to catch them doing something differently, ad-libbing or adding little new touches to the characters. We immensely enjoyed some extra Lloyd stage time last week with him becoming a proper roadie in the Cardiff scene and adjusting or picking up the boys’ mics and untangling some wires – we’re a silly bunch, so it doesn’t take much to make us happy. Lloyd is our “Understudy of the Month”, Jess blogged about him for our Team B week in January but there should be something else on its way in a bit.

Speaking of ad-libbing, Danny’s mention of the Spanish Inquisition in one of the scenes is now among my top favourite moments, and speaking of our leading man, he just gets better and better. I remember seeing the show with this cast for the first time and thinking they were good, now, five months on, they’re exceptional. Danny’s Ray is something to behold and it’s not a secret that he enjoys playing him a lot. In fact, so much that he managed to finish the show on Saturday despite his injury that was clearly causing him a lot of discomfort. I was told afterwards by some of the cast that they were prepared to stop the show and do an emergency takeover but he decided to soldier on and do his job. Much as I was worried looking at him visibly flinching through most of the second half, I can’t help but admire this determination.

I can go on for hours about our ‘managerial representatives’. Gabriel Vick and Charlie Tighe have found the balance I couldn’t see at first, so Robert and Grenville have now become an amazing double act that’s so much fun to watch. Their dancing in You Really Got Me alone is worth coming to the show and sitting in row F on the left-hand side – whenever I’m sad now and need some cheering up, I remember this (as well as Danny in the dentist chair). Gabriel once joked that he gets to sing all the best hits in the show meaning Denmark Street, but, on a more serious note, his singing in Days always gets me, he has a very clear and distinctive voice. My personal favourite is Chris Brandon’s Larry Page. I remember worrying that Sunny Afternoon’s version Larry was waaaaaaay too likeable when I saw the show for the first time in May 2014, now I don’t seem to have any problems with that, the real Larry was fun to be around back in the day and that’s what really matters. Chris is a comedy genius, if I ever die of laughter during the first half I’ll hold him personally responsible. From one of the guests at the ball where Robert ‘Bobby’ Wace introduces the Ravens, to Rasa’s hilariously angry Dad in the wedding scene, to every moment Larry’s on stage – there’s a lot to look out for and a couple of times over the last week people sitting next to me probably thought I was having a fit or something because I couldn’t stop giggling thanks to Chris.

cast notice

Cast notice, 5th March 2016

Second half of the week brought more surprises. Tom had been complaining about his throat for a few days so I guess it was just a matter of time for Robbie to step into Pete’s shoes. I came to the theatre on Friday, saw the notice in the foyer announcing this, and nearly shrieked when I realised I was sitting right in front of him (I had B15 initially but table CC was empty and I thought it was a real shame, so I moved there before the show started). Last time I saw Robbie as Pete was in August 2015, so it was the first time with this cast for me. Friday was a fun show but I guess that the fact how much I enjoyed it has a lot to do with Robbie’s presence on the stage. I always feel sorry when one of the cast members is off sick but, as we have a very solid Team B, there’s nothing to worry about quality-wise, and as we love our Team B we’re nothing but happy to see them being amazing and winning over their audiences. I think it was the first time I had a proper look at Robbie’s Pete during Sunny Afternoon: he gets from being excited about the World Cup to confused by everything that’s happening around him, looking lost and unsure while others are having fun, – and that’s such a good lead-up to the next scene, I don’t know why I never noticed that before (see, even after 80+ visits, I still manage to discover new things).

After the show, Robbie hinted that he might get to play another Kink on Saturday because Olly wasn’t feeling very well but he was still on for Pete at the Saturday matinee – I was quite happy to settle for that. However, things changed and Danny had to step down for the evening, with Robbie taking over as Ray again. It meant only one thing – Alex Tosh was to make his debut as Pete. I saw Alex as Robert Wace in January, he had quite a long stint and grew very confident playing the character, he was on for Grenville shortly after that, which, alas, I didn’t get to see. Being a second cover means you may only very seldom get to play the character, and Saturday night was just the case. I saw Alex after the matinee, he was extremely nervous, it turned out later that Ray Davies was watching the show that night so, really, no pressure. Olly, on the other hand, was excited about the Kinks line-up that no one had ever seen. If I hadn’t seen the show before I would’ve never been able to say it was the first time Alex was on for Pete. Nerves probably helped made some of the scenes more endearing and his bass playing was confident and up to very high standards, which made us pick up our jaws from the floor when he told us he’d had to teach himself to play the instrument for the show! Seriously, are there any limits to these people’s talents? Another amazing thing is the support Alex was getting from the rest of the cast: little gestures here and there, looks of encouragement to make sure he was alright and was actually there – nothing that would affect the whole thing but made it a bit more special. Something else to add to all the praise: Alex is on for Wace this week, after seeing him a few times in this role, I can only say that he’s amazing and he gets to play saxophone, adding different mood and notes to the songs he’s involved in, plus his singing in Days is just ever so good.

Sunny girls sometimes don’t get the credit they deserve despite being very important to the show. We’re currently introducing the lovely Harriet Bunton as our “Cast Member of the Month” on the fan page and Debbie wrote a little something about her but you may expect more in the coming weeks. Harriet made her mark quite early on and she’s a lot of fun to watch: her banter with Ray and Dave when sister and Mrs Davies invade the room where they’re trying to practice, her Kinks groupie in the UK (I particularly enjoyed watching her clinging to various Petes in Set Me Free last week) and in the US (“I’ve got his hair!!!”), her chasing Wace with his briefcase and tambourine in Dead End Street, her wedding crasher – you can’t help but love her. A lot of credit has to go to Lia Given, who has been a lot recently playing one sister or another but mostly Peggy, meaning she gets her solo moment in You Really Got Me. With Lia you know that you’re in safe hands when you see her name up on the covers notice.

One of the highlights of the show for me these days is Olly’s guitar playing in Waterloo Sunset. I don’t think I’ll ever forget how it made me jump the first time I came to see the new cast back in October. I remember thinking then: “So THIS is what it’s supposed to sound like.” With Waterloo Sunset being the most beautiful song and the one that never fails to make me emotional, it just adds an extra layer of something special to it and makes me cry happy tears every time I hear it in the show (and, apparently, it makes me look very cute – who knew…). Olly found a way of actually singing and not screaming in Till the End of the Day, after being unsure if he could find a balance when he first started a few months ago, and his Dave is angry and heartbreaking at the same time in A Long Way from Home. He’s grown in confidence in these five months and is a joy to behold.

Seeing all eight shows of the same production in one week is not an easy task, especially when you get up early to day seat after going to bed late after seeing the show the night before, however, it was so worth it: I didn’t see two shows that would be the same, even when it comes to the cast – new combination every time, including two show days. They were asking me on Thursday if I was bored of coming to every show but it’s a silly question, really. How could I be? I have so many more amazing memories after last week, memories that will keep me going while I’m away from London and Sunny Afternoon on my longest break since the one between Hampstead and West End. I’d do it all over again, and probably will, I’m curious to experience their new performance schedule from May so they’re not getting rid of me that easily.

eight out of eight

Eight out of eight shows in one week

We might still have a way to go… (c)

Tom Whitelock, Danny Horn, Damien Walsh and Oliver Hoare

Tom Whitelock, Danny Horn, Damien Walsh and Oliver Hoare
Photography by Kevin Cummins

Almost a year a go to the day, I blogged about the original Sunny Afternoon cast. I guess it’s something to do with December being cold and dark that’s finally prompted me to say a few words about the new Sunny folk. They’ve been at it for over two months now and I’ve seen them 4 times (should’ve been more but I got distracted by other shows, believe it or not), so I have something to say about this new, regenerated version of my still favourite show.

I had no idea when I’d return to Panton street after 3rd October. I knew I’d be back sooner or later but was thinking I’d give myself and the new cast a couple of months. Long story short, I was there by the end of their second week. Having met most of them before and hearing good things from my fellow addicts, I was very optimistic about it. It didn’t stop me from being absolutely terrified when I took my seat – maybe I should’ve booked somewhere a bit further back but it was too late to worry about it.

Harriet Bunton, Gillian Kirkpatrick, Niamh Bracken, Damien Walsh, Jay Marsh, Alice Cardy

Harriet Bunton, Gillian Kirkpatrick, Niamh Bracken, Damien Walsh, Jay Marsh, Alice Cardy
Photography by Kevin Cummins

The best thing about the new cast and their take on the show? They’re different – extremely good different. Nobody wanted to copy their predecessors and I knew it wouldn’t be the case, but I was glad to see it with my own eyes. I somehow managed to block my memories of the original cast and store them in a safe place – they’re not going anywhere, they’re always with me, but they’re not interfering with my present relationship with the show.

It’s somewhat grounding to see a few familiar faces on stage: Alice Cardy (switching from Joyce to Peggy), Jason Baughan (continuing as Eddie Kassner) and Stephen Pallister (promoted from understudy to full-time Mr Davies/Klein). When the new cast announcement came, I was relieved: I knew some of the names from other productions or film/TV but there were no really “big” names, which means the show, its cast and Ray’s music remain the star.

Gabriel Vick, Charlie Tighe

Gabriel Vick, Charlie Tighe
Photography by Kevin Cummins

The new folk are multi-talented and clearly enjoying themselves. I’m glad I had a bit of a break between my visits, I’m getting to see how they’re developing their characters, and, I must say, I’m pleased with what I see and hear. Niamh Bracken, Harriet Bunton and Megan Leigh Mason have found their place in the show, and I particularly enjoy Niamh’s diner girl and her interaction with Danny Horn in that scene as well as watching Harriet in Set Me Free and her wedding crasher character. Gillian Kirkpatrick is a very formidable Mrs Davies – just watch her in Dead End Street and in the wedding scene – I’d expect nothing less from a mother of 6 girls and 2 boys.

The Kinks’ new managerial representatives are… erm… represented by Gabriel Vick as Robert Wace, Charlie Tighe as Grenville Collins and Chistopher Brandon as Larry Page. While I was very much enjoying Gabriel’s performance from the very start, I wasn’t entirely sure about Wace and Collins dynamic when I first saw them in the show. Either I’m just getting used to it or something’s changed indeed, but it was more balanced when I was back later. Jay Marsh has a number of characters and utilises a range of good accents, and I especially enjoy watching him during the Ravens’ gig and then in the second half.

Oliver Hoare, Danny Horn, Damien Walsh, Tom Whitelock

Oliver Hoare, Danny Horn, Damien Walsh, Tom Whitelock
Photography by Kevin Cummins

The new Kinks are… I’m not sure any words could do them justice and would very much like to have any kind of recording of this cast. First thing that strikes about them is how confident they sound as a band. Of course they’re all accomplished musicians but they do sound as if they’ve been gigging together for years and years. Tom Whitelock (Pete Quaife) and Damien Walsh (Mick Avory) have been developing their characters and seem to be less overshadowed by the Davies brothers than they were early on. I can only hope they’ll continue going in the right direction, because Pete and Mick were vital ingredients in the band’s success – putting up with Ray and Dave, touring and staying more or less sane was not that simple, as we can see in a scene or two. Tom is a highly skilled bass player, and I enjoy Damien’s drumming throughout the show and especially in Waterloo Sunset, his “kick” is spot on.

Oliver Hoare’s Dave reminds me of my sister – younger siblings and all that. I was watching him during Dead End Street and couldn’t get rid of the thought that something was very familiar, and then it dawned on me. It’s a good thing, before you say anything. His Dave is an arrogant and annoying teenager and it makes you wonder how other people don’t come up with a drum pedal idea long before Mick in the Cardiff scene. Oliver is a fantastic guitar player and you’re bound to notice it. When I was watching them for the first time, I was very tired and on too little sleep, but when he started playing Waterloo Sunset, it made me jump. If I thought Oliver was amazing then, next time I was in he was beyond my most optimistic expectations.

Danny Horn

Danny Horn
Photography by Kevin Cummins

Danny Horn is our new Ray. I knew Danny from his TV work and somehow felt weirdly confident when I heard he’d be taking over from John Dagleish. Five years ago, I was watching another Doctor Who Christmas special, and Danny was in it, I thought something along the lines: “Oh, this boy reminds me of Ray.” Prophecies, anybody? Sunny Afternoon is Danny’s West End debut and it’s safe to say it couldn’t have been better for him and for us. I can’t be grateful enough for the way he’s portraying Ray: he’s ethereal and captivating, he’s made this role his own in absolutely no time and he manages to capture the mood and the atmosphere perfectly. It’s a bit scary – good scary – how much he sounds like Ray in some of the songs. Close your eyes during You Really Got Me or Where Have All the Good Times Gone and you’ll be amazed how difficult it is to tell the difference. It’s as if the original tracks have been rearranged or remastered and rereleased. After my first visit, Danny carefully inquired what I had to say of the show (“It were alright!” ©) and especially my favourite song – he was pleased to hear that Sitting in My Hotel still had made me cry.

I think it’s clear from all of the above that I’m very much enjoying this new version of my favourite show, this musical for those who hate musicals. I hope it’ll continue to make people happy and just get better and better. I am coming back and can’t wait to see it again.